Although the works of American ballet dancer and choreographer William Forsythe use classical technique as their starting point, he is capable of thinking them through further, often taking them to the extreme. An example of this is his 11-minute piece The Vertiginous Thrill of Exactitude, created for three female and two male dancers. In it, solos, pas de deux, pas de trois and ensembles alternate, with no plot, to the virtuosic and sublime final movement of Schubert's (“Great”) Ninth Symphony.
The work, which today is already considered one of the most challenging short ballets to perform, pays tribute to classical technique. Joining In the Middle, Somewhat Elevated, it is the second of Forsythe's pieces to make it into the Hungarian National Ballet's repertoire.