Carpathian Homeland Tour Plus: Zagreb - Hynd/Lehár: The Merry Widow


Comic ballet in three acts
As part of our long 2017/18 tour we visited 16 ethnically
predominantly Hungarian cities in the neighbouring
countries, but, of course, did not get to go everywhere.
We have had an invitation to Zagreb for a long time:
now is the time to also include the Hungarians living
in Croatia and members of the local ethnic majority
population there as well – thereby also reciprocating the
performance of Zrínyi that the Osijek Theatre staged at
the Opera House in Budapest in the autumn of 2016.

Act I  – The antechamber of the Pontevedrian embassy in Paris, 1905 

Scene One – The embassy is planning a ball in honour ofthe birthday of the Grand Duke of Pontevedro. The clerks Kromov and Prisics are anxious to finish their work as quickly as possible. The French attaché Camille de Rosillon is also ready to abandon his tasks. The ambassador's secretary, Njegus, arrives and instructs the three men to return to their desks, since they have work to do. When Njegus asks where he can find Count Danilo Danilovitch, the embassy's first secretary, they answer that he is out drinking. Shortly after the four have resumed working on their tasks, the secretary informs his colleagues that Pontevedro has gone bankrupt. Next to enter is the ambassador, Baron Mirko Zeta. In his hand is a telegram informing them that the wealthy Pontevedrian widow Hanna Glawari will be honouring them with her presence at the ball. The baron wants to convince Danilo to marry the widow so that her fortune will remain in the little Balkan state. The ambassador's wife, Valencienne, also joins the little company, and together they drink to the grand duke's health. Camille and Valencienne remain behind as the other depart. Valencienne starts to flirt with Camille.Even though she makes a show of her ring to remind him that she has a husband, this does little to impede their bantering. They don't even notice the sudden appearance of Njegus, who conceals himself behind a desk and only emerges when the two kiss. The lovers quickly separate, with Camille slinking off. Valencienne, however, asks Njegus to remain silent. Staggering in drunkenly, Danilo returns tothe embassy from Maxim's. The ambassador tries to convince him to agree to the marriage, but finding that the designated groom is inebriated, he then asks Njegus to sober him up.

Scene Two – The embassy ball 

The ambassador and his wife open thefestivities. Afflicted with rheumatism, however, the baron is unable to dance with his wife for long. Camille asks him if he can substitute for him in dancing with Valencienne.

Hanna Glawari arrives slightly late and isintroduced to the embassy staff, including Count Danilovitch, by Baron Zeta. The ambassador has no clue that the widowed millionaire and Danilo have already met, and in fact were once even in love. Many years earlier, Danilo's family had been opposed to his marrying the then still-poor peasant girl. At the ball, Danilo tells Hanna that he still loves her, but the widow accuses of him of simply trying to get his hands on her money. The disappointed count wipes his forehead with the same kerchief that he once received from Hanna as a memento of their love. Hanna takes back the kerchief and leaves him there by himself. Danilo, on the other hand, reminisces about the days when he knew Hanna as a peasant girl.

When Danilo returns to the ballroom, it'sladies' choice. Hanna selects Danilo, but in his disappointment the count rejects her rudely. Offended by this behaviour, Hanna instead dances with Camille, which makes Valencienne unhappy. Eventually, a partner switch brings Hanna and Danilo together on the dance floor. Even though the widow resists, she can no longer conceal her love for the count.


Act II
In the garden of Hanna Glawari's villa
 

A day later, Hanna is holding a ball in hervilla in Paris. Dressed in Pontevedrian folk costumes, the guests resume saluting the grand duke with a great variety of dances. Peace is restored between Hanna and Danilo.

Camille and Valencienne, however, are unableto restrain their emotions and, throwing caution to the wind, dance a duet before heading out to the garden pavilion. Njegus arrives just in time to get a glimpse of the two figures sneaking off and rushes to the keyhole to find out who is inside. Presently Mirko Zeta and Danilo also appear and notice the peeping secretary. In order to safeguard Valencienne's secret, Njegus swallows the key to the pavilion. As the other two men deliberate over how to open the door, Njegus asks Hanna, who happens to be strolling by, to rescue the situation. She agrees to help and steal into the pavilion through the back entrance, allowing her to open the door from the inside. Out struts Camille, followed shortly afterwards – to everyone's great surprise – by Hanna. To improve the joke even further, Hanna then reveals to the astonished group that Camille has asked for her hand in marriage. The ambassador is devastated to see his plan appear go up in smoke, and Valencienne swoons at her suitor's faithlessness. The grief-stricken Danilo, on the other hand, produces the kerchief he had received as a token of Hanna's love and then regained and thrusts it at Hanna's feet. Hanna, for herpart, is delighted to see that Danilo is truly in love with her, and not her money.


Act III
Maxim's
 

At the nightspot, the maître d'welcomes the new arrivals. Entering onthe heels of a procession of odd-looking characters are Baron Zeta, Valencienne and Njegus. The ambassador informs the company that bankruptcy is now inevitable for Pentevedro, prompting Njegus to lower the state flag. Hoping to lift the sombre mood, the maître d'bringschampagne. Camille is received with contempt, but Danilo swiftly starts up the revelries, with grisettes providing the requisite high spirits throughout. Valencienne also joins in with the can-can.

Now arriving, Hanna finds she has two menafter her: Camille, maintaining the fiction out of obligation, and Danilo, out of love. Danilo is about to challenge Camille to a duel, but Hanna intervenes. When Valencienne comes to Camille's defence, however, the ambassador instantly realizes that it was his own wife who was in the pavilion with the attaché. Both couples dance. Somewhat despondent, Baron Zéta makes his peace with both his wife and her beau, and the three leave together. The disappointed Hanna stands in the middle of the room, but Danilo returns to her and clasps her in his arms. The couple's happiness is now unblemished, and Pontevedro is no longer in danger of going insolvent.



General cast

Conductor
Kálmán Szennai
Hanna Glawari, the widow
Tatiana Melnik
Count Danilo Danilovitch
Igor Tsvirko
Valencienne
Ellina Pokhodnykh
Camille
Ievgen Lagunov
Ludmilla
Olga Chernakova
Magda
Adema Omarova
Pritich
Gaetano Cottonaro
Kromov
Miklós Dávid Kerényi
Njegus
Alekszandr Komarov
The Baron
Levente Bajári
Leading Pontevedrian man
Ryosuke Morimoto
Maitre d
Maksym Kovtun

Credits

Choreographer
Ronald Hynd
Composer
Ferenc Lehár
Music edited by
John Lanchbery / Allen Abbot
Set and costume designer
Peter Docherty
Lighting designer
Kirk Bookman
Ballet Masters
Marianna Venekei / Edit Rujsz / Tamás Solymosi / György Szirb

Events

2018. September 10., Mon, 19:30