The Hungarian National Ballet presents a new Laurencia production choreographed by Michael Messerer on 6 March 2020. The production that can be seen seven times this season aims to enchant audiences with spectacular solo dances, duets and ensembles.
Ero the Joker, a comic opera by Jakov Gotovac and Death in Venice, a dance performance by Valentina Turcu can be seen at the Erkel Theatre on 21 and 23 January 2020. The guest performances of the Croatian National Theatre in Zagreb are organised under the Croatian Presidency of the Council of the European Union.
In accordance with the guidelines issued by the Government of Hungary on 11 March 2020, all performances at the Hungarian State Opera are cancelled until 3 April 2020 at the earliest.
Francesco Maria Piave
Italian librettist Francesco Maria Piave (1810-1876) is best known for his long-standing association with Verdi, for whom he wrote the librettos of operas including Macbeth, Rigoletto, La traviata, Simon Boccanegra and La forza del destino. Piave was born in Murano, the son of a glassmaker. He studied for the church and then found employment as a proofreader. He moved to Rome and joined the literary circle that included the librettist Jacopo Ferretti. He returned to Venice in 1838 and in 1842 wrote his first libretto, Don Marzio for Levi (never performed), and completed Giovanni Peruzzini’s libretto Il duca d’Alba for Pacini. He first worked with Verdi in 1844 on Ernani; over the next 18 years they collaborated on I due Foscari, Macbeth, Il corsaro, Stiffelio, Rigoletto, La traviata, Simon Boccanegra, Aroldo and La forza del destino in 1862. During this period he also worked as a poet and as a stage director for La Fenice. In 1859 he moved to Milan to work as stage director at La Scala. A stroke in 1867 left him unable to speak or move; at his death he left an unfinished libretto for Ponchielli. Throughout his career Piave wrote librettos for several composers, but he achieved his greatest works with Verdi.