Zoltán Kodály


mixed opera 10

June 15., Saturday 19:00

Hungarian State Opera

Folk scenes in Hungarian, with Hungarian and English subtitles

A people can best be known through their folk songs,” claimed Zoltán Kodály, one of the crucial proponents of Hungarian music, whose main ambition as a composer, collector of folk songs and music teacher was to inculcate a love for Hungarian folk song and to cultivate a knowledgeable audience.
The Spinning Room is the epitome of Kodály's efforts. When the Opera commissioned a full-length version of the work from the composer in 1931, it wasn't an opera that Kodály intended to write – instead his aim was to re-discover the Hungarian folk song and relay its simple dramatic power.
Kodály was of Polish extraction on his mother's side. And now, breaking with convention, audiences will get the chance to see through the eyes of a Polish director, Michał Znaniecki, how a foreign artist perceives this quintessentially Hungarian work.


Hungarian State Opera
June 15, 2024
Start time
7 p.m.
End time
9:30 p.m.
Michał Znaniecki
Set designer
Luigi Scoglio
Assistant to the set designer
Alejandro Contreras Cortés
Costume designer
Magdalena Dabrowska
Animation and lighting designer
Bogumił Palewicz
Zsolt Juhász
Assistant to the choreographer
Edit Marosi
Judit Kenesey
English subtitles
Elisabeth M. Lockwood
Chorus director
Gábor Csiki


Premiere: Oct. 1, 2016

Hungarian State Opera
Hungarian State Opera
20. Rozsos István season ticket
Hungarian State Opera
26.Mészöly Katalin season ticket
Hungarian State Opera
13. Szinetár Miklós season ticket
Hungarian State Opera


The Lady of the house's husband is dying; the woman and her young daughter are soon left bereft. With an aching heart, the mourning widow remembers her younger days, when she was getting to know her future husband. In order to cheer up her saddened daughter, she sings Cockrikoo! to her. While they are getting ready for the funeral, the Lady of the house reminisces further and further back into the past, recalling how she and her suitor were married. The lovely memory of the wedding, however, is suddenly overshadowed by the ominous appearance of the Flea. The Lady of the house continues with her recollections, recalling the birth of their daughter. After the funeral, she erupts in grief into the Ballad of the Bad Wife. Suddenly, she seems to see her dead husband in front of her again, but then is forced to realize that it was only an illusion. Feeling bitter, she goes to bed and – refusing to accept either comfort or food from her daughter – she is gradually consumed by sorrow. Her daughter mourns her in silence. The Lady of the house and her husband are reunited in heaven.