Charles Gounod

Faust


Performance by The St. Petersburg Chamber Opera
In its 30th, jubilee, season, the St. Petersburg Chamber Opera turned its attention to the works of Charles Gounod for the first time. In his modern and expressive version of the classic opera Faust, director Yuri Alexandrov deals with the philosophical issues of being, man’s vocation, and the confrontation between heaven and hell, responding vividly and passionately to today's world events.

As Alexandrov said about his production, "Over the past decades we have witnessed a lot of attempts to zombify people. Many world regimes have tried to subdue the human mind and soul. This happened during the period of Communism, and, to some extent, it is also happening now. Just look at today’s information wars. People around the world are brainwashed in various ways. The invasion into human consciousness, the attempt to create a new Frankenstein -- that's what I see in the story of Faust. Obviously, this topic is very urgent and very important for me, so we will analyse it scrupulously. Gounod composed great music, and we took care of it. Although we did change the sequence of scenes in our production, this does not mean that we have cut anything from it. In my version, we emphasize all of the characters’ personal experiences. However, we are not trying to impose new personal qualities on the characters; we stick to the original ones."


Act I - Prelude  In the hours before dawn, the aging scholar Faust is sitting alone in his study grimly confronting the realisation that his life's search has been in vain: the secrets of the world still remain a mystery to him. In despair, he decides to take poison and put an end to his life. But then he hears the sound of men and women on their way to work, singing praise to God for his gifts of nature. "But what can this God do for me? Can he give me back my love, youth and faith?" Faust curses earthly happiness, science and faith and invokes Satan. Méphistophélès appears, ready to provide wealth, glory and power. But what Faust wants is youth. Méphistophélès will fulfil the scholar's wish, but with one condition: just as he now serves Faust, Faust will later serve him down below. He displays a picture of Marguerite, the ideal woman, which immediately throws the ageing scholar into a state of excitement. Faust agrees to the deal, and in the wink of an eye is transformed into an elegant, young gentleman.
Act II - Carnival  An the inn of the city during carnival. Men and women bid farewell to the soldiers departing for war, whose numbers include Valentin, Marguerite's older brother. The girl presents her sibling with a medallion to protect him in battle. Valentin, on the other hand, is worried about his little sister, since there is no-one else aside from himself to look after the girl. Siebel, who can hardly keep his love for Marguerite concealed, volunteers for the task. Wagner attempts to keep the pleasant mood going: he starts to sing, but then is interrupted by an unknown figure – Méphistophélès – who also performs a song for the company, one about the Golden Calf, at whose feet lie rich and poor alike and which makes a mockery of God. The song wins the group's approval, but the stranger acts in an increasingly strange and unsettling fashion: he prophesies misfortune for some, and conjures up wine. When he raises his glass to toast Marguerite, Valentin angrily draws his sword, only to watch its steel blade shatter in the air. Forming the broken weapon into the sign of the cross, he attempts to hold back the amused demon, and then departs. Faust gives Méphistophélès a command: he would like to see Marguerite again. The girl then appears in the crowd and demurely declines Faust's advances. The crowd waltzes ecstatically.
Act III - The Garden  Pining for Marguerite, Siebel attempts to endear himself to her by bringing flowers, but as Méphistophélès foretold, every last blossom withers in his hands. The curse is only lifted after the boy dips his hands in holy water. Finally he leaves bouquet in the garden as a token of love for Marguerite. Méphistophélès and Faust arrive. The demonic servant leaves his master to find a costly courtship gift and soon returns with a jewellery box. Faust, who moments earlier had been walking love-smitten through the garden of his beloved, now wants to flee. Méphistophélès places the box where the girl can find it. Marguerite soon arrives, daydreaming about the elegant gentleman she had turned down not long ago... She sings from a ballad about the king of Thule, but loses the thread of her song. Finally, she notice Siebel's bouquet, and then also finds the jewellery box, and is unable to resist the temptation to try on a couple pieces of jewellery. As she is doing so, she is found by Marthe, who is convinced that it can be nothing other than a gift for Marguerite from a wealthy suitor.  Méphistophélès appears with Faust beside him and attempts to distract Marthe with his own wooing so that Faust and Marguerite can be alone together. The shy girl slowly tells Faust about her fate: her brother is a soldier, and her mother and little sister are dead. Her courage soon vanishes, and she runs off. Méphistophél?s is at last free from the Marthe, who has showed excessive interest in him, and requests that Love and the Night soften Marguerite's heart with enchantment. The girl returns, followed by Faust. She attempts to resist the man, but is gradually overcome by feelings of love. At last she promises Faust that she will be his the next day.
Act IV - The church; Valentin's death  Faust has left Marguerite with child. The girl goes to the church to pray, but a terrifying, accusatory voice – Méphistophélès's voice – curses the girl and sends her into the madness of despair. Meanwhile Valentin returns home from the war and greets Siebel happily. Searching for his sister, he hurries into the house. Shame drives Faust back to Marguerite's house. Méphistophélès starts into a mocking serenade, at which point Valentin, who has been informed by Siebel what happened in his absence, burst out of the house in a rage: he challenges the man who has dishonoured his sister to a duel. With help from Méphistophélès, Faust vanquishes Valentin and flees. Marguerite and the townsmen hurry to the mortally wounded Valentin, who curses his sister before expiring.
Act V - Walpurgis Night; Prison Méphistophélès has taken Faust to the Harz Mountains, where Walpurgis Night is being celebrated by the queens and courtesans of the ages. Faust wants nothing more than to forget everything and lose himself in pleasures. Then Marguerite's spirit appears to him. Frightened at first, Faust immediately wants to see the girl. Méphistophélès takes Faust to Marguerite in prison, where she awaits execution for killing her child. Faust begs Marguerite to escape with them, but the girl will have none of it: even insane, she is not willing to follow Méphistophélès anywhere. She implores God for forgiveness, offering herself to him. Slowly the sun rises. Faust and Méphistophélès depart.
Apotheosis  As bells ring for Easter, Marguerite's soul ascends to heaven. A celestial chorus gives praise to God.

General cast

Conductor
Maxim Valkov
Featuring
St. Petersburg Chamber Opera's Orchestra and Chorus

Credits

Libretto after Johann Wolfgang von Goethe’s Faust, Part I
Michel Carré / Jules Barbier
Director
Yuri Alexandrov
Set and costume designer
Vyacheslav Okunev
Lighting designer
Irina Vtornikova
Voice coach
Yana Zubova
Chorus director
Igor Pototskiy
Choreographer
Nadezhda Kalinina
Video designer
Daniil Bakalin

Premiere
May 27, 2017

Events

2020. March 29., Sun, 19:00