Jake Heggie

Dead man Walking

Opera in two acts, in English, with Hungarian and English surtitles
Hungarian premiere


Jake Heggie’s opera Dead Man Walking vividly shows the reality of the death penalty and the inner conflicts of the condemned and those who are attempting to help them. Based on Sister Helen Prejean’s book recounting actual events, Heggie’s first opera has already been staged in 40 productions on five continents. Reprising his role in the work’s Hungarian premiere is the male lead from an American production: David Adam Moore prepared for the part by actually visiting the death row of the prison depicted in the piece. The Hungarian audience will get to see this contemporary opera in a concert version supplemented by a visual display created by young multi-media artists and incorporating Moore’s own documentary photographs.

By arrangement with Bent Pen Music. Sole Agent: Bill Holab Music.

This Opera was commissioned by the San Francisco Opera.


A boy and a girl are out on a date in rural Louisiana. Sitting by a lake, they listen to music and then kiss. Suddenly two figures emerge from hiding nearby: they are the brothers Anthony and Joseph De Rocher. Anthony seizes the boy, and Joseph brutally sexually assaults the girl. The boy continues to struggle with Anthony, who pulls out a gun and shoots him in the head. The girl screams at the sound of the gunshot. Panicking, Joseph produces a knife and stabs her to death.


At Hope House, Sister Helen Prejean is teaching a group of children a hymn. As the children leave, she tells her fellow nuns that she has accepted a request from an inmate on death row to serve as his spiritual adviser. Warned of the dangers, she nevertheless remains adamant about performing her duty as a member of the Christian clergy. As she drives to “Angola”, the maximum-security Louisiana State Penitentiary, she contemplates the decision she has made.
Arriving at the prison, Sister Helen is met by Father Grenville. He warns her that it will be impossible for her to reach through to Joseph. She informs the priest that she plans to fulfil her obligations. Father Grenville introduces her to Warden Benton, who also cautions her about the perils of facing Joseph. Sister Helen meets Joseph who is more approachable than she had been told he would be. He asks her to attend the pardon board meeting.
At the pardon board hearing, Joseph’s mother and younger brothers plead for his sentence to be reduced to life imprisonment. Owen Hart, the father of the murdered girl, hears Joseph’s family’s pleas and erupts in anger. Afterwards, the families of the victims confront Joseph’s family and Sister Helen. At that moment, word comes from the pardon board that Joseph will not be granted clemency – he will die for his crime, barring intercession from the governor. When Sister Helen informs Joseph of what has happened, he grows angry and accuses Sister Helen of abandoning him. Sister Helen says she will never leave his side, but encourages him to confess his crime and ask for forgiveness. Joseph refuses.
As she searches her purse for some change to use in the vending machine in the waiting room, Sister Helen begins to hear the voices of her students, her fellow nuns and other people in her life pleading with her to stop aiding Joseph. Her reverie is interrupted by the presence of Warden Benton: the governor has refused to commute Joseph’s death sentence. Sister Helen faints.

Joseph is informed that his execution date has been set and reflects on his fate. Back at Hope House, Sister Helen wakes up from a nightmare. Sister Rose begs her to stop working with Joseph, insisting that it will destroy her health. Nevertheless, bound to her vows, Sister Helen persists.
On the evening before Joseph’s execution, Sister Helen and Joseph pass the time discussing their mutual love of Elvis. Before departing, Helen once again urges Joseph to confess and ask forgiveness, but he refuses. Joseph’s mother and two younger brothers enter. Joseph attempts to apologise to his mother for what he has done. His pleas, however, fall on deaf ears: Mrs De Rocher cannot believe that her son is truly guilty of such a heinous crime. As Joseph is led away, his mother breaks down. Helen attempts to comfort her.
Outside the execution chamber, Sister Helen meets with the victims’ parents. They ask her if Joseph has asked her to deliver any message to them, and she is forced to tell them that he had nothing to say to them. They again lash out in anger. Mr Hart, however takes Sister Helen aside and confides that he is not sure that he wants Joseph to die after all, and that he and his wife have separated. Sister Helen consoles him, and they part ways.
In the final minutes before Joseph’s execution, he and Sister Helen talk one last time. Sister Helen again urges him to confess. He finally breaks down and confesses. Sister Helen forgives him and instructs him to look at her during the execution: she will be his source of comfort. The warden comes to escort Joseph to the execution chamber.
In the execution chamber, Joseph is strapped down to receive the lethal injection. The warden asks if Joseph has any last words. He asks for the parents of the murdered teenagers to forgive him. The warden then signals for the execution to proceed. With his dying words, Joseph tells Sister Helen that he loves her.

General cast

Gergely Vajda / Kornél Thomas
Helen Prejean (a young nun from Louisiana)
Andrea Meláth
Joseph De Rocher (a death row inmate at Angola State Prison)
David Adam Moore
Mrs. Patrick De Rocher (Joseph’s mother)
Katalin Károlyi
Sister Rose (co-worker and close friend to Sister Helen)
Gabriella Fodor
Howard Boucher (father of the murdered boy)
Péter Balczó
Jade Boucher (mother of the murdered boy)
Andrea Brassói-Jőrös
Owen Hart (father of the murdered girl)
Ferenc Endrész univ. stud. / Csaba Szegedi
Kitty Hart (mother of the murdered girl)
Beatrix Fodor
Father Grenville (prison chaplain)
József Mukk
George Benton (prison warden)
Antal Cseh
Older Brother (half-brother to Joseph)
Gergely Ujvári
Younger Brother (half-brother to Joseph)
Dominik Jobbágy / Rafael Abebe-Ayele
A Motor Cop / First prison guard
Róbert Rezsnyák
Second prison guard
Máté Fülep
Sister Lilianne / Sister Catherine
Sárközi Xénia
1st Inmate
János Vince
2nd Inmate
Géza Zsigmond
3rd Inmate
Attila Gulyásik
4th Inmate
Sándor Dobos
5th Inmate
Attila Fenyvesi
First Mother
Dorottya Győrffy
Mrs. Charlton
Mária Tempfli
Eszter Asbolt / Zsombor Bodó / Eszter Szakács / Benjámin Taba
Paralegal (on recording)
Arthur Roger Crane


Libretto after Sister Helen Prejean's novel of the same title
Terrence McNally
András Almási-Tóth
Visual designer
Zsombor Czeglédi / Balázs Fügedi / Norbert Tóth
Costume designer
Krisztina Lisztopád
Eszter Lázár
Chorus director
Gábor Csiki
Head of the Children’s Chorus
Nikolett Hajzer
Hungarian surtitles based on Diána Eszter Mátrai's translation by
András Almási-Tóth
Language coach
Arthur Roger Crane

Sept. 16, 2020