Richard Wagner


Festival play in three acts, in German, with Hungarian and English surtitles

Ein Bühnenweihfestspiel – that is, “a Festival Play for the Consecration of the Stage”. Wagner himself invented this label for his final opera, Parsifal, a work which is indeed a theatrical depiction of reverent celebration and the sacred. Its hero, Parsifal, is the holy fool whose pure and naive faith enables him to redeem those suffering from afflictions of the body and of the soul. It also gains him admittance into the ranks of the guardians of the Grail, the sacred cup into which Christ's blood was spilled.

Sin, anguish, reincarnation, sacrifice, rebirth: this story of the labyrinth of error and the wondrous power of love and forgiveness elevates the idea of Easter into opera, even while dealing with the more general themes of good and evil magic, the struggle between darkness and light and the hope for redemption.

Act I
A forest near Monsalvat, the castle of the Holy Grail. Gurnemanz, a knight, and several young pages are saying their morning prayers. Suddenly Kundry appears: she is a mysterious woman of unknown age who also serves as the Grail's messenger. From far away, she has brought a salve for Amfortas, the king of the Grail knights, who is tormented by a wound which will not heal. It is foretold by prophecy that his suffering “will be brought an end by a pure fool made wise through compassion.”
As the ailing king is taken to bathe, Gurnemanz tells the story of how his suffering came to be: The Holy Grail – that is, the cup from which Christ drank at the last supper and into which his holy blood was shed – and the Spear – which had been used to pierce his body as he suffered on the cross – had been entrusted to Amfortas's father, Titurel, by the Saviour's blessed messengers. In order to guard the holy relics, Titurel built a sanctuary and assembled an order of virtuous knights. Wishing to join the Brotherhood, Klingsor found himself unable to surmount his own sinful thoughts and castrated himself as an act of penance, although this did not prevent him from being rejected by the Order. His ensuing rage endowed him with powers of darkness: out of revenge, he built a castle with a magical garden full of seductive women he could use to lure the knights into his trap. Many knights fell victim to him, so Amfortas, Titurel's successor, resolved to put a stop to Klingsor's evil sorcery. However, he too fell victim to a “beautiful woman”, allowing Klingsor not only to seize the Holy Spear from him, but also to wound him with it. The wound can only be healed by the innocent youth described in the prophecy.
A sudden clamour breaks out: someone has mortally wounded a swan. The culprit is soon found: a young man who is unable to give an explanation for his deed and who feels remorse only when Gurnemanz reproaches him. Nor does he know his own name or anything about his own past, although he does remember his mother. He is interrupted by Kundry, who knows the young man's story: his mother had hidden him in the forest for years in order to prevent him from meeting the same fate as his father, who fell in battle. Gurnemanz takes the lad to the castle, wondering if he might be the one spoken of in the prophecy...
The knights gather in the great hall of the castle. Titurel asks his son to uncover the Grail, but Amfortas is unwilling: while the sight of the cup prolongs Titurel's life, it also increases his son's torments. Titurel gives the order to the pages, and at last the Grail illuminates the hall. The nameless youth observes the sacred ceremony in wonder, but understands none of it. The disappointed Gurnemanz throws the young man out. Again the prophecy is heard: “A pure fool, made wise through compassion...”

Act II
Klingsor knows that the nameless youth has been called to rescue the Grail, and therefore must be destroyed. He summons Kundry to his castle and forces her to seduce the lad. Her protests are no use: Klingsor has her in his spell...
The young man enters the magical garden. Amorous flower maidens besiege him, but he resists them. Then Kundry appears in the guise of a beautiful woman. She addresses him as “Parsifal”, and the lad realises that this is the name his mother called him in his dreams. The seductive Kundry recalls pleasant memories from the young man's childhood, and then kisses him. Parsifal is suddenly overcome by terrible anguish. Understanding that it was Kundry who caused Amfortas's downfall, he realises that it is his mission to safeguard the Grail and its knights. Kundry is astonished at Parsifal's transformation and begs for the man's pity. She laments how she fell under a curse when she laughed at Christ as he suffered on the cross. Parsifal is unmoved, and Kundry curses him, calling Klingsor to her aid. The sorceror appears, aiming the Spear at Parsifal, but in a manner verging on the miraculous, the youth catches it in the air. Klingsor's dominion is done for.

Titurel is no more. Amfortas, yearning for death, no longer allows the Grail to be uncovered. The Brotherhood is incapacitated. Now grown old, Gurnemanz is living as a hermit in the forest near Monsalvat, where he discovers the remorseful and exhausted Kundry. A strange knight approaches: it is Parsifal with the Holy Spear. His efforts to find his way back to Amfortas and the Grail had long been to no avail, since Kundy's curse had left him wandering uselessly for years. Kundry washes Parsifal's feet, while Gurnemanz blesses him and crowns him king. Parsifal baptises Kundry. They are all amazed by the radiant beauty of nature: the magic of Good Friday. Distant bells call them to the castle for Titurel's funeral.
Knights enter the great hall, bearing Amfortas on a litter. The king is unable to complete the ritual: he begs his knights to kill him in order to bring his torment to an end. Parsifal approaches and touches his side with the Spear. Amfortas's wound heals. Parsifal displays the Grail and blesses the knights as they venerate it. The Grail and the Spear are united.

Photo by Juhász Attila


Opera House
April 11, 2017
Start time
End time
Additional information


János Kovács
Pavlo Hunka
István Kovács
Gábor Bretz
István Kovácsházi
Pavlo Hunka
Judit Németh
First Grail knight
Péter Kiss
Second Grail knight
Lajos Geiger
First page
Erika Markovics
Second page
Krisztina Simon
Third page
István Horváth
Fourth page
János Szerekován
I/1st flower-maiden
Zita Váradi
II/2nd flower-maiden
Ildikó Szakács
I/3rd flower-maiden
Krisztina Simon
II/1st flower-maiden
Gabi Gál
II/2nd flower-maiden
Eszter Wierdl
II/3rd flower-maiden
Éva Várhelyi
A voice from above
Atala Schöck


Richard Wagner
András Mikó
Choreography after László Seregi
Péter László
Set designer
Gábor Forray
Costume designer
Péter Makai
Hungarian surtitles
Géza Oberfrank
English surtitles
Arthur Roger Crane
Chorus director
Kálmán Strausz

Feb. 13, 1983


2017. April 11., Tue, 17:00
2017. April 14., Fri, 17:00
2017. April 17., Mon, 17:00